Prebujanja / Awakenings

28. 7., 22:30 / Glavni trg / Kranjska Gora main square

Drama / Drama
Slovenija, 2017 (85’) / Slovenia, 2017 (85’)
Režija / Director: Peter Bratuša
Scenarij / Screenplay: Peter Bratuša, Špela Levičnik Oblak
Igrajo / Stars: Katarina Čas, Jurij Zrnec, Sebastian Cavazza, Saša Pavlin Stošič, Jana Zupančič, Primož Pirnat, Branko Šturbej
Fotografija / Director of Photography: Danko Vučinović
Jezik / Language: slovenski / Slovenian
Podnapisi / Subtitles: angleški / English

Film pripovedujejo zgodbo o odraščanju, kljub temu, da glavni liki trkajo na svoja štirideseta leta in jih vsakega po svoje zalezuje kriza srednjih let. Dogajanje je postavljeno v spalnice vseh šestih protagonistov, pravzaprav kar v njihove postelje, ki so tudi glavna kulisa celotnega filma. / Awakenings is a story about the magical (and not so magical) moments when we wake up. But at the same time the film is about the mental awakening of our protagonists.

Gre za zgodbo o odraščanju, kljub temu, da glavni liki trkajo na svoja štirideseta leta in jih vsakega po svoje zalezuje kriza srednjih let. Med seboj se poznajo, ker so nekoč skupaj hodili v srednjo šolo, a si v filmu delijo le en sam skupen prizor. Skozi dogajanje se vsak po svoje spopadajo z dilemami in težavami, ki jim jih prinaša vsakdan – sprašujejo se, kaj narediš, ko srečaš ljubezen izpred dvajsetih let, in se ti še vedno zdi, da je to ženska tvojega življenja? Kako je, ko se v tvoje stanovanje nepričakovano naseli seksi 25-letnica, zaradi katere si zapustil svojo družino? Kaj narediš, ko se ti od višine dobesedno zvrti… Prebujanja glavnih likov niso zgolj fizična, ampak predvsem mentalna. Skozi film pa vsak na svoj način spoznava, da je odraščanje proces, ki se nikoli zares ne konča.

The story revolves around three couples, who have just begun their relationship, are about to end it, or never really neither began nor finished it. Robert has just divorced and moved to his own place. Soon his student and lover Jana moves in with him, although not entirely by his will. Jana quickly establishes her own way at home and Robert finds himself in a situation he doesn’t know how to control. An established photographer Marcel finds out that his wife Ula got her pictures screened at a very important festival. As usual, he performs one of his typical cynical/sarcastic tantrums – but Ula doesn’t respond to his methods anymore. Slowly (and painfully) the power shift in this relationship is tearing them apart. Jonas and Karmen meet at Marcelo’s exhibition after 20 years. Their high-school flames burn once again, so they find themselves in a hotel room. They spend the night talking and sharing their old feelings and resentments. Nevertheless, with the morning comes the moment of sobriety – Karmen returns to her family. In the last couple of scenes, our characters experience a whirlwind of emotions and situations that finally brings them all at the same place. But what is real and what is just a performance?

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28.7 Sobota
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