Rekvijem za Gospodju J / Rekviem za Gospo J / Requiem for Mrs. J

30. 7., 17:00 / Ljudski dom

Drama / Drama
Srbija, Bolgarija, Makedonija, Rusija, Francija, Nemčija, 2017 (93’) / Serbia, Bolgaria, Macedonia, Russia, France, Germany, 2017 (93’)
Režiser / Director: Bojan Vuletić
Scenarij / Screenplay: Bojan Vuletić
Igrajo / Stars: Mirjana Karanović, Danica Nedeljković, Jovana Gavrilović
Fotografija: Director of Photography: Jelena Stanković
Jezik / Language: srbski / Serbian
Podnapisi / Subtitles: slovenski / Slovenian
Nagrade / Awards: nagrada za najboljši film, najboljšo igralko, najboljši scenarij in najboljšega režiserja na Mednarodnem Filmskem Festivalu FEST 2017, nagrada za najboljši film na Mednarodnem Filmskem Festivalu v Sofiji 2017, nagrada za najboljši film na festivalu Wiesbaden goEast 2017. / Belgrade Victor for best film, Jury Prize for best actress, best script and best director, and Milutin Colic Award for best film at FEST 2017, Fipresci Prize for best film at Sofia International Film Festival 2017, Golden Lily Award for best film at Wiesbaden goEast 2017.

Osebna stiska osamljene vdove, ki potihem načrtuje svojo smrt, je kljub kafkovski resnobnosti prikazana z dobro mero značilnega balkanskega črnega humorja. / A woman plans to commit suicide when her family’s problems become overwhelming.

Jelena je bolj ali manj že obupala nad življenjem. Vdova srednjih let se kljub hčerama in tašči, s katerimi si deli majhno stanovanje, počuti osamljeno in odvečno. Ob obletnici moževe smrti skrivaj načrtuje samomor in si v ta namen priskrbi pištolo, uredi življenjsko zavarovanje in celo naroči napis na nagrobniku. A bolj ko se približuje ta usodni dan, bolj ji postaja jasno, da je v svetu depresivne tranzicije, v katerem se je znašla, umreti morda še bolj zapleteno kot živeti.

Jelena has had enough of life. Her husband died a year ago, and she feels tired and lonely – in spite of her two daughters and her mother-in-law who all share her flat. She has decided that on the anniversary of her husband’s death she will commit suicide. She has a pistol ready for the job. She has taken out her life insurance policy and got a mason to put her portrait photograph on her gravestone. Gradually, this quiet, humble woman begins to realise that nothing’s simple in a country that’s constantly swinging back and forth between torment and transition.

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